Art-A-Day wrap up for 2013

I blinked and 2013 was gone.

As 2013 drew to a close my life became increasingly busy. Seasonal activities included the annual production of my holiday card design. I produce about 100 cards by hand each year. I usually cut a block to print in a key color and then hand color with watercolor. A pair of cedar waxwings proved to be a challenge in the watercoloring step. Those birds are very colorful. You can see the result — the last image in the set below.

Art-a-day really slowed down after Thanksgiving because of the cardmaking and school semester wrap up. Even so, I have a fair amount I did since the last post. You can see the images below. Click on one and it will open a slide show.

2014 began with a trip out to California to visit family and friends. It was a relaxing week away from the harsh weather of Minnesota and my ongoing work for my teaching.

Then back to the grindstone to prepare my classes for the semester. I dug in for days on end at my desk and in books to prepare projects, lectures and demonstrations. I am still at it as we dip into the third week of classes. The preparations are more intense than usual for me with 6 classes, three of which are new to me. Consequently, any art making has taken a back seat.

Art-A-Day was a wonderful project for me in 2013. I produced a total of 284 pieces of art. Luckily they are mostly quite small or I would have a bit of a storage problem. I posted all of them on my facebook page and now with this entry, on this blog. The responses from my followers were wonderful and motivating. I felt the project brought me closer to some people. It was a great way to be connected. People were very encouraging and that really made it even better.

I have decided not to continue the Art-A-Day project in 2014. Though it was a great project, it was demanding and the way my schedule is now, I don’t think I can keep up with that kind of project. I will still make art, and post about it. But it won’t have a project name or goal. Art-A-Day is not dead, however. I may resurrect it another time under another name. You’ll just have to stay posted to find out what and when that will be.

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Late Fall Reflections on Art-A-Day

It’s the day after Thanksgiving. I have had a busy week. As I relax after all the preparations for the big T day, I can pause and reflect on all I am truly thankful for. I am most thankful for friends and family, a comfortable home, and a steady income. There are many less fortunate people and this is humbling. Art-making is indeed a luxury I am truly thankful for.

A year ago I started a daily drawing practice. Though it has not been possible to draw every day, the ritual led me to more art-making than I ever did in my past. To be more productive was one of my goals, and through the impetus of an Art-A-Day I got a big boost toward that goal. I’m still seeking some direction for my studio practice. I remain unfocused and I am now OK with that. It may take more doing to relieve my loss of direction.

One thing I neglected to post was about my exhibit at Penny George Institute for Health and Healing at Abbot Hospital in Minneapolis. The show just came down a week ago. The same work will be exhibited at Colonial Church in Edina from December 15 to January 31. You can visit the church to see my work in their vast hallway spaces. Stay tuned for a press release. http://www.colonialchurch.org/

A 2013 comes closely to an end, I am considering what I will do for 2014. I could continue the Art-A-Day practice. But I’m all for new challenges and I have a lot of ideas floating around. One is portraits, another is something alphabetical with storytelling. Stay tuned for news of my next venture.

Here are the results of art-a-day since my last post in September. Click on any image to begin a slide show.

Art-A-Summer

As the summer months progressed and daylight and outdoor activities were more possible, I simply was drawing less. A sweaty hand sticking to paper is not pleasant so I skipped my daily many times. Then the skipping became a bit of a habit.

Even so, I continued my work in papercutting culminating in a workshop in Vermont led by papercutting artist extraordinaire Beatrice Coron. Sadly, since my return from the workshop I have had very little opportunity to continue my explorations. August was eaten up with preparations for a new semester and some days I ran out of steam to do any artwork.

Enough with the excuses. It is now September and I am 8 months into my Art-A-Day project. Even though I feel guilty for the missed days, I am impressed with what I have done. I have made more quantity of single pieces this year than any other time in my life because of Art-A-Day. I have not yet reached what I hoped the project would provide. I was hoping I would be able to develop a theme or direction for my in-studio practice. There has been some light on that and I have progressed but I still have not settled on the next thing. I’ve been feeling stuck, like there are too many ideas and they are all interesting and I can’t get myself to move on only one. I am like the butterfly flitting to each flower and tasting the sweet nectar. Will I ever settle down and find my direction? Maybe I am not meant to develop a big project now. Maybe it is just a time of flitting around, fertilizing so to speak. When I am meant to settle on something, it will appear clear and steadfast, right? Well, that is what I hope.

Here are the dailies from July, August and part of September. Click on any image to start a slide show.

Mandalas, cut paper and more

ART-A-DAY for June 2013

June was  a month to concentrate on the mandala form once again. With a deadline of the Minnesota State Fair entry due on July 1 I needed to make something that fit in the new rules. Plus, I have a show coming up in the fall at the Penny George Institute for Health and Healing at Abbot Northwestern Hospital in Minneapolis. The curator, Sheila Asato, is interested in my mandalas for that show and I may need more work than I have. So I decided to work on mandalas for this and the fair entry. I finished two mandalas and started some others. I also experimented in monotype and cut paper mandalas. This continues to be a work in progress as I am figuring out how the methods work together. And printing and cut paper is very different from drawing and painting.

I have a system for the drawn mandalas. The system allows me to make the work automatic and random (as much as a system can do that). I take all my colored pencils and pigment ink pens and dump them in a bin and mix them up. I make a large square paper and find the center and place a dot there. I reach into the bin and whatever pencil or pen comes out is what I use. First I make outlines of all the shapes, starting at the center and moving out in concentric but overlapping rings of shapes. Then I go back and fill in the outlines with colors, much like a coloring book, still picking colors randomly from the bin. After this I go back over with textures and shading to create depth and contrast. This stage requires more deliberate color and material choices to help unify the whole. When it is all finished, I cut the circle out from the square paper. The edge of the artwork is irregular, not a perfect circle. When framed, this becomes a feature. I like the ragged edges. Each mandala takes about 15-20 hours.

For the printed mandalas, I have been cutting the printing paper into stencils. I draw the design and cut with an x-acto knife. My hand gets very sore from the cutting. When the papers are cut, I then monotype print on them. With monotype printing, inks are rolled or brushed onto a thin sheet of plexiglass and printed to the paper on an etching press. A stencil can be used to block colors. I use the stencil as part of the artwork too since it is also inked. These stencils and prints from the stencils will then be layered. I have not yet determined how to layer or present them. Stay tuned for the outcome of that.

Cut paper is a growing interest to me. I am interested in the stencil effect but also the dimensional aspects that arise and the way light can interact with layers of cut paper. My next posting should present some progress on this front. Stay tuned.

Here are my art-a-day June entries.

 

 

 

Art-A-Day for April and May 2013

I am a Libra and there is always a flip side to every argument – keeping the balance in me. Here is a truth wrought by this balancing act. I have this guilt in me, that if I don’t follow through with my plan some scorn will befall me and I will not be trusted. I’m not sure what that is, where it came from, but it drives me. And when I don’t meet my plan I judge myself as failed.  Then there is the part of me that wants to play, shun the responsibilities and enjoy myself in a ‘who cares if I get anything done, it can wait’ state of mind. As long as no one knows I have been goofing off, what does it matter? I work this balance back and forth, and eventually I actually do accomplish things and have a good time in spite of it all.

And so it goes when it comes to art work. Yes, it is work. Most of the time I can’t wait to have time for it. Sometimes I can’t bring myself to do it. Even if I do have time art requires an energy that isn’t always there. I anticipate my days in the studio with zeal, and sometimes I get there and nothing happens. I am stuck in this inert zone hampered by lack of continuity. Too much time passed since all those ideas were brewing. Or my energy is low and making things is such a chore. It is disappointing to have this happen when I waited all week for that time.

With Art-A-Day there is the same art guilt. Still, I do it when I can and try to be happy with that. The past few months the frequency has been closer to once a week than once a day. That can change with summer coming on.

Most of this latest work has been in a Stillman and Birn Alpha Series sketchbook 6×9 size. I like the texture of this paper. Here are the entries for April and most of May. Click on any image to see them in slide show format with descriptions.